Those who knew Hemingway well, especially in these early years, reported that his braggadocio was something of a cover: Far from being the swaggering, insouciant rake of lore, he was emotionally fragile, stirred into panics by women’s rejections, prone to insomnia, workaholic and perfectionist (in Paris, he’d spend all day writing and sometimes come home with a single sentence), and given to weird and compulsive record-keeping projects, like tallying exact word counts or tracking his wife’s menstrual rhythms. He was what we would now call a neurotic, and the struggle to make sense of a life suddenly coming apart gave his work the urgency and contours earlier efforts had lacked.
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What have we done to Hemingway?
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9:47 PM
We're left to wonder what Ernest Hemingway would make of our modern image of Ernest Hemingway. The distance between the two entities is hard to ignore: